Charles De Lint. Wikipedia, 18 Oct. 2009. Web. 18 Nov. 2009.
>http://en.wikipedia.org/wiki/Charles_de_Lint<.
Charles De Lint, WolfMoon. SF Site, 2009. Web. 19 Nov. 2009.
>http://www.sfsite.com/charlesdelint/wolfmoon-desc01.htm<.
De Lint, Charles. "New Books." New Books. SF Site, 2006. Web. 19 Nov. 2009.
>http://www.sfsite.com/charlesdelint/<.
WolfMoon. Toronto, Ontario: Penguin Books, 1988. Print.
Tuesday, November 24, 2009
Monday, November 23, 2009
Apologia of Charles De Lint and his novel WolfMoon
Charles de Lint, born December 22 1951, is a Canadian fantasy author and Celtic folk musician. His work inspires anyone who is eager for an adventure. He has been writing for 20+ years, and continues to do so. Charles does not stop, he continues with his passions, sharing them with the world. Even in this year of 2009 he has released at least 6 books titled: Muse and Reverie, Eyes like Leaves, Medicine Road, The Mystery of Grace, The Onion Girl, Woods and waters Wild. Thus, his determination is strong, and everything he churns out brings happiness. (Lint, New Books) His 1984 urban fantasy novel, Moonheart, is Tor's best-selling trade paperback for their Orb line. A message board was created and named in his honor: de Lintad, Charles de Lint, and MoonHeart which proves that his contributions are significant. That alone depicts that Charles is very successful at what he does.(Lint, Wikipedia)
The significance of his work is greatly, as he has published 60 books, which in itself makes him very successful. In addition to being the author of numerous novels and short stories, De Lint is also a poet, musician, artist, folklorist, and critic. He has taught creative writing workshops in Canada and the United States, and was writer-in-residence for 2 public libraries in Ottawa. On top of this, Charles has also written original songs; his main instruments are flute, fiddle, whistles, vocals and guitar. Some say that “He’s a classic storyteller with a tremendously broad appeal. Readers who don’t know him would, I think, be surprised at how much they would like his work. I’m hoping some of those readers turn up.” Those that are curious, such as myself, had no idea of the brilliance of this man, and now his work has made me eager to learn more. His writing style and the many books Charles has turned out, are proof that he is a wonderful asset. From his short-stories, novels and songs, they go above and beyond to paint out his contributions of Canadian literature. (Lint, Review)
When looking at his famous novel WolfMoon, Charles said that: "Wolf Moon is an old favorite of mine. I remember at the time I started to work on it that I wanted to write a small story in a high fantasy setting. Worlds didn't need to be saved. The characters weren't required to go on arduous quests. But the events of the story would still have great import upon the characters because that's the way of the world. The large events that move and shake nations certainly interest us and impact upon our lives, but for most of us, the bigger stories revolve around ourselves and our circle of friends and family. I didn't see why it should be any different for the characters in a high fantasy secondary world. "(WolfMoon, Review) He brings forth a realm in which not many venture into. The Fantasy world. His "Wolf Moon is one of the rarest of Charles de Lint's novels, first published over a decade ago as a paperback, and out of print since. We're proud to be publishing the first hardcover edition of this rare fantasy, bound in full-cloth, with a full-color wraparound dust jacket."(WolfMoon, Review) Furthermore his story is magical because ”In Wolf Moon, one of de Lint's earlier novels and a rare excursion for him into high fantasy, the harper Tuiloch is the black-hearted evil. The hero of the tale, the lonely wanderer Kern, is a werewolf.” (WolfMoon, Review) Charles is able to put a spin on anything he writes, and explores into worlds in which many do not choose to attempt. His Work, especially WolfMoon draws the essence of greatness out of the reader.
The significance of his work is greatly, as he has published 60 books, which in itself makes him very successful. In addition to being the author of numerous novels and short stories, De Lint is also a poet, musician, artist, folklorist, and critic. He has taught creative writing workshops in Canada and the United States, and was writer-in-residence for 2 public libraries in Ottawa. On top of this, Charles has also written original songs; his main instruments are flute, fiddle, whistles, vocals and guitar. Some say that “He’s a classic storyteller with a tremendously broad appeal. Readers who don’t know him would, I think, be surprised at how much they would like his work. I’m hoping some of those readers turn up.” Those that are curious, such as myself, had no idea of the brilliance of this man, and now his work has made me eager to learn more. His writing style and the many books Charles has turned out, are proof that he is a wonderful asset. From his short-stories, novels and songs, they go above and beyond to paint out his contributions of Canadian literature. (Lint, Review)
When looking at his famous novel WolfMoon, Charles said that: "Wolf Moon is an old favorite of mine. I remember at the time I started to work on it that I wanted to write a small story in a high fantasy setting. Worlds didn't need to be saved. The characters weren't required to go on arduous quests. But the events of the story would still have great import upon the characters because that's the way of the world. The large events that move and shake nations certainly interest us and impact upon our lives, but for most of us, the bigger stories revolve around ourselves and our circle of friends and family. I didn't see why it should be any different for the characters in a high fantasy secondary world. "(WolfMoon, Review) He brings forth a realm in which not many venture into. The Fantasy world. His "Wolf Moon is one of the rarest of Charles de Lint's novels, first published over a decade ago as a paperback, and out of print since. We're proud to be publishing the first hardcover edition of this rare fantasy, bound in full-cloth, with a full-color wraparound dust jacket."(WolfMoon, Review) Furthermore his story is magical because ”In Wolf Moon, one of de Lint's earlier novels and a rare excursion for him into high fantasy, the harper Tuiloch is the black-hearted evil. The hero of the tale, the lonely wanderer Kern, is a werewolf.” (WolfMoon, Review) Charles is able to put a spin on anything he writes, and explores into worlds in which many do not choose to attempt. His Work, especially WolfMoon draws the essence of greatness out of the reader.
Explication of Rivalry of Superior and Inferior in WolfMoon by Charles De Lint
Of Polti’s Thirty-Six Dramatic Situations, “Rivalry of Superior and Inferior” through the two dominant characters Tuiloch and Kern is most enthused in Charle de Lint’s WolfMoon. From the beginning, Charles’ separates these two characters apart with very distinct characteristics and abilities. Through each of the different situations it’s clearly evident that Tuiloch has the upper-hand all the time. The Reader uncovers Tuiloch’s secrets and is able to build a bridge with the Inferior Kern. The lives of these two are drastically different as one is out for himself to obtain complete control on others, whereas the other is a caring intelligent man who fights for what he believes in, love.
In the opening, these two characters are painted in the story very vividly. There is a chase that occurs with the superior sending his magical beast known as the feragh to hunt down kern. "The feragh came first, agile and supple-limbed for all its bulk, soft-stepping a path through the underbrush so that not one autumnal leaf seemed disturbed."(De Lint, 5) The vast imagery is used to portray the many scenes that take place. For the reader, it is easy to grasp what is going on when there is descriptive language such as "There was magic afoot here, the wolf knew. Powerful magic against which he had no defense. Heavy though the freight’s scent was, smothering the man, the wolf could smell the sorcery. It burned in the music. It burned in the Harper’s features, highlighting his thin straight nose, planed brow, and gaunt cheek. It burned, too, in the freight’s eyes." (De Lint, 4)Charles use of the passages is magical as it brings better understanding of these two highly diversive characters.
Even through the epic beginning, these two characters entwine again. Charles’s use of descriptive language further entices the reader to continue their adventure by making the confrontation more appealing. During a small festival these two grip eye to eye when Tuiloch says "Listen, and I will tell you the tale of Tascar, the Wuhr-wulf. Now his eyes were for Kern alone. They impaled him with their strength of will, stripped the manflesh to bare the wolf inside. I know you, they said. I remember you. Echoes of that hateful music that called forth the feragh hung in the air. The hunt is not yet done, the harper's eyes appeared to say. Then he looked away and began the tale.” (De Lint, 112) In essence, the use of his imagery further develops these two characters. As well, the details provide more proof into which one is more superior. Only through Kern’s determination and striving to defeat Tuiloch would he come out ahead.
From the establishment up until the final stages, the fate of Kern seems to be sealed. His strength has been dwindled, and his determination long gone. Only through the voice of his dear friend saying “Kern please, she said. Hear me out. I’ve come here on my own. Stram led me. I know what Tuiloch’s done to us, to you.”[205] Through the voice of this angel, he was given new strength to confront the terrorizer. His flawless plan would have to be done sooner rather than later, as each minute he spent threatened his friend’s lives. There was no time for errors, as “he came in at a run, snow spraying underfoot. He saw the bulky shape of the feragh come quick silvering toward him, trying to cut him off, but he had too great a lead. Choosing a window, he leaped at it, curling himself into a ball as he struck it. His thick shoulder hair prevented the glass from penetrating deep enough to pierce his skin. He could sense the feragh at the window.” (de Lint, 226) After Kern over-powers Tuiloch through sheer determination and passion for his loves ones “he fell back, nursing his hand, trying to concentrate on Tuiloch, on the harper’s next move. But that move never came. The blade thrust up from Tuiloch’s chest and his face was so contorted that it seemed a stranger’s.” (de Lint, 238) The rivalry between Kern and Tuiloch was unbelievable as the reader had no idea that Kern could unleash such a series of powerful blows. Through his determination, passion and confidence he had conquered all odds and defeated his greatest enemy.
In the opening, these two characters are painted in the story very vividly. There is a chase that occurs with the superior sending his magical beast known as the feragh to hunt down kern. "The feragh came first, agile and supple-limbed for all its bulk, soft-stepping a path through the underbrush so that not one autumnal leaf seemed disturbed."(De Lint, 5) The vast imagery is used to portray the many scenes that take place. For the reader, it is easy to grasp what is going on when there is descriptive language such as "There was magic afoot here, the wolf knew. Powerful magic against which he had no defense. Heavy though the freight’s scent was, smothering the man, the wolf could smell the sorcery. It burned in the music. It burned in the Harper’s features, highlighting his thin straight nose, planed brow, and gaunt cheek. It burned, too, in the freight’s eyes." (De Lint, 4)Charles use of the passages is magical as it brings better understanding of these two highly diversive characters.
Even through the epic beginning, these two characters entwine again. Charles’s use of descriptive language further entices the reader to continue their adventure by making the confrontation more appealing. During a small festival these two grip eye to eye when Tuiloch says "Listen, and I will tell you the tale of Tascar, the Wuhr-wulf. Now his eyes were for Kern alone. They impaled him with their strength of will, stripped the manflesh to bare the wolf inside. I know you, they said. I remember you. Echoes of that hateful music that called forth the feragh hung in the air. The hunt is not yet done, the harper's eyes appeared to say. Then he looked away and began the tale.” (De Lint, 112) In essence, the use of his imagery further develops these two characters. As well, the details provide more proof into which one is more superior. Only through Kern’s determination and striving to defeat Tuiloch would he come out ahead.
From the establishment up until the final stages, the fate of Kern seems to be sealed. His strength has been dwindled, and his determination long gone. Only through the voice of his dear friend saying “Kern please, she said. Hear me out. I’ve come here on my own. Stram led me. I know what Tuiloch’s done to us, to you.”[205] Through the voice of this angel, he was given new strength to confront the terrorizer. His flawless plan would have to be done sooner rather than later, as each minute he spent threatened his friend’s lives. There was no time for errors, as “he came in at a run, snow spraying underfoot. He saw the bulky shape of the feragh come quick silvering toward him, trying to cut him off, but he had too great a lead. Choosing a window, he leaped at it, curling himself into a ball as he struck it. His thick shoulder hair prevented the glass from penetrating deep enough to pierce his skin. He could sense the feragh at the window.” (de Lint, 226) After Kern over-powers Tuiloch through sheer determination and passion for his loves ones “he fell back, nursing his hand, trying to concentrate on Tuiloch, on the harper’s next move. But that move never came. The blade thrust up from Tuiloch’s chest and his face was so contorted that it seemed a stranger’s.” (de Lint, 238) The rivalry between Kern and Tuiloch was unbelievable as the reader had no idea that Kern could unleash such a series of powerful blows. Through his determination, passion and confidence he had conquered all odds and defeated his greatest enemy.
Sunday, November 22, 2009
Apologia - Process work
Charles de Lint is a Canadian fantasy author and Celtic folk musician.
The significance of his work is greatly, as he has published 60 books, which in itself makes him very successful. In addition to being the author of numerous novels and short stories, De Lint is also a poet, musician, artist, folklorist, and critic. He has taught creative writing workshops in Canada and the United States, and was writer-in-residence for 2 public libraries in Ottawa
On top of all, Charles has also written original songs; his main instruments are flute, fiddle, whistles, vocals and guitar.
A message board was created and named in his honor: de Lintad, Charles de Lint, MoonHeart which proves that his contributions are significant.
He brings forth a realm in which not many venture into. The Fantasy world.
“He’s a classic storyteller with a tremendously broad appeal. Readers who don’t know him would, I think, be surprised at how much they would like his work. I’m hoping some of those readers turn up.”
He has been writing for 20+ years, and continues to do so. Charles does not stop, he continues with his passions, sharing them with the world.
Even in this year of 2009 he has relased atleast 6 books titled: Muse and Reverie, Eyes like Leaves, Medicine Road, The Mystery of Grace, The Onion Girl, Woods and waters Wild.
"Wolf Moon is an old favorite of mine. I remember at the time I started to work on it that I wanted to write a small story in a high fantasy setting. Worlds didn't need to be saved. The characters weren't required to go on arduous quests. But the events of the story would still have great import upon the characters because that's the way of the world. The large events that move and shake nations certainly interest us and impact upon our lives, but for most of us, the bigger stories revolve around ourselves and our circle of friends and family. I didn't see why it should be any different for the characters in a high fantasy secondary world. "
"Wolf Moon is one of the rarest of Charles de Lint's novels, first published over a decade ago as a paperback, and out of print since. We're proud to be publishing the first hardcover edition of this rare fantasy, bound in full-cloth, with a full-color wraparound dustjacket."
^- proof that Charle's book and his writing style are wonderful contributions of Canadian Literature.
http://www.sfsite.com/charlesdelint/wolfmoon-desc01.htm
http://www.sfsite.com/charlesdelint/
http://en.wikipedia.org/wiki/Charles_de_Lint
The significance of his work is greatly, as he has published 60 books, which in itself makes him very successful. In addition to being the author of numerous novels and short stories, De Lint is also a poet, musician, artist, folklorist, and critic. He has taught creative writing workshops in Canada and the United States, and was writer-in-residence for 2 public libraries in Ottawa
On top of all, Charles has also written original songs; his main instruments are flute, fiddle, whistles, vocals and guitar.
A message board was created and named in his honor: de Lintad, Charles de Lint, MoonHeart which proves that his contributions are significant.
He brings forth a realm in which not many venture into. The Fantasy world.
“He’s a classic storyteller with a tremendously broad appeal. Readers who don’t know him would, I think, be surprised at how much they would like his work. I’m hoping some of those readers turn up.”
He has been writing for 20+ years, and continues to do so. Charles does not stop, he continues with his passions, sharing them with the world.
Even in this year of 2009 he has relased atleast 6 books titled: Muse and Reverie, Eyes like Leaves, Medicine Road, The Mystery of Grace, The Onion Girl, Woods and waters Wild.
"Wolf Moon is an old favorite of mine. I remember at the time I started to work on it that I wanted to write a small story in a high fantasy setting. Worlds didn't need to be saved. The characters weren't required to go on arduous quests. But the events of the story would still have great import upon the characters because that's the way of the world. The large events that move and shake nations certainly interest us and impact upon our lives, but for most of us, the bigger stories revolve around ourselves and our circle of friends and family. I didn't see why it should be any different for the characters in a high fantasy secondary world. "
"Wolf Moon is one of the rarest of Charles de Lint's novels, first published over a decade ago as a paperback, and out of print since. We're proud to be publishing the first hardcover edition of this rare fantasy, bound in full-cloth, with a full-color wraparound dustjacket."
^- proof that Charle's book and his writing style are wonderful contributions of Canadian Literature.
http://www.sfsite.com/charlesdelint/wolfmoon-desc01.htm
http://www.sfsite.com/charlesdelint/
http://en.wikipedia.org/wiki/Charles_de_Lint
Explication of Rivalry of superior and inferior in WolfMoon by Charles De Lint - Process work
Description
Elements
* The Superior Rival
* The Inferior Rival
* The Object of Rivalry
Summary
The Superior Rival is set against an Inferior Rival, both vying for the Object of Rivalry.
Variants
A
1. Rivalry of a mortal and an immortal
2. Rivalry of two divinities of unequal power
3. Rivalry of a magician and an ordinary man
4. Rivalry of conqueror and conquered
5. Rivalry of victor and vanquished
6. Rivalry of a master and a banished man
7. Rivalry of suzerain king and vassal king
8. Rivalry of a king and a noble
9. Rivalry of a powerful person and an upstart
10. Rivalry of rich and poor
11. Rivalry of an honored man and a suspected one
12. Rivalry of two who are almost equal
13. Rivalry of equals, one of whom has in the past been guilty of adultery
14. Rivalry of a man who is loved and one who has not the right to love
The key variants to match the story are 1,2,3,6,9 and 14 -
The story WolfMoon revolves mainly around the life of Kern who is human, but posseses a trait to turn into a werewolf whenever he wants.
Tuiloch(magician) is the Superior Rival, whereas Kern(human-werewolf) is the inferior Rival.
The clash between these two occur from the early stages of the book, right until the final stage.
"The feragh came first, agile and supple-limbed for all its bulk, soft-stepping a path through the underbrush so that not one autumnal leaf seemed disturbed."[Wolfmoon, 5]
- the feragh represents a powerful beast in while Tuiloch(the Superior Rival) unleashes on Kern(the Inferior Rival)
"There was magic afoot here, the wolf knew. Powerful magic against which he had no dfense. Heavy though the feragh's scent was, smothering the man, the wolf could smell the sorcery. It burned in the music. It burned in the harper's features. highlighting his thin straight nose, planed brow, and gaunt cheek. It burnedd, too, in the feragh's eyes." [WolfMoon, 4]
- proof that Tuiloch (superior rival) which is also noted as the harper is a very powerful sorceror. Not only does Kern(inferior rival) feel his powers, but so does the beast in which Tuiloch unleashes (feragh.
"He was no longer sure how long or how far the hunt had gone. The harping dulled his senses, weakened his limbs, and he could not find the strength to overcome it. He needed to strike out at his tormentor, to still the hateful music forever, but to reach the harper he must first face the feragh and in that acton lay only death. He was unwilling to throw away his life. First the harper must be made to pay. That need sustained him more than simple survival."[WolfMoon, 5]
“The feragh was hellishly close. Its reek clogged the wolf’s nostrils. The music fired his mind with scalding flames, numbing him.” [WolfMoon, 5]
- Tuiloch's powers affect Kern greatly, and there is nothing he can do to defend himself. Not only does kern need to have the strength to defeat the powerful sorceror, but he faces the beast in which Tuiloch unleashed. His fate is sealed when dealing with either of them as they are too much of a match.
These two rivals are on completely different spectrums. Tuiloch is a powerful Sorceror that has great influence with his magic and the ability to unleash a foul creature, whereas Kern is only a man with the ability to change into a strong Werewolf.
After the beginning, Kern barely escapes his fate. “Then he saw something red bobbing downstream, watched it strike a boulder before the current dragged it under once more.”
Description of Kern's wound: "His left shoulder was gashed as though some wild animal had clawed him and he was streaked with mud"
The two Rivals set apart from then, and only meet up about at the halfway mark.
"Listen, and I will tell you the tale of Tascar, the Wuhr-wulf. Now his eyes were for Kern alone. They impaled him with their strength of will, stripped the manflesh to bare the wolf inside. I know you, they said. I remember you. Echoes of that hateful music that called forth the feragh hung in the air. The hunt is not yet done, the harper's eyes appeared to say. Then he looked away and began the tale.[WolfMoon, 112]
"A last time he looked at Kern, his dark eyes promising terrors to come, and he smiled."[WolfMoon, 112]
- The lines prove that Tuiloch is an unmatched Rival. He pierces Kern with such powers to "strip the manflesh", only through determination could Kern stand toe-to-toe which such a Magician.
“Kern please, she said. Hear me out. I’ve come here on my own. Stram led me. I know what Tuiloch’s done to us, to you.”[205]
“he came in at a run, snow spraying underfoot. He saw the bulky shape of the feragh come quicksilvering toward him, trying to cut him off, but he had too great a lead. Choosing a window, he leaped at it, curling himself into a ball as he struck it. His thick shoulder hair prevented the glass from penetrating deep enough to pierce his skin. He could sense the feragh at the window.” [226]
“he fell back, nursing his hand, trying to concentrate on Tuiloch, on the harper’s next move. But that move never came. The blade thrust up from Tuiloch’s chest and his face was so contorted that it seemed a stranger’s.
- Through the end passages, Kern summons the strength to return to the inn by Fion, he is the only hope, and it will be through his sacrifice that lives would be spared if he can defeat Tuiloch. He has lost all sense of fear, and is willing to sacrifice his life for the survival of those that are taken hostage by Tuiloch. A man reborn, Kern becomes as he is unopposed by the feragh, and with the aid of Fion, defeats the Superior Rival. A match through determination and willingness to sacrifice himself proclaimed Kern the victor.
Elements
* The Superior Rival
* The Inferior Rival
* The Object of Rivalry
Summary
The Superior Rival is set against an Inferior Rival, both vying for the Object of Rivalry.
Variants
A
1. Rivalry of a mortal and an immortal
2. Rivalry of two divinities of unequal power
3. Rivalry of a magician and an ordinary man
4. Rivalry of conqueror and conquered
5. Rivalry of victor and vanquished
6. Rivalry of a master and a banished man
7. Rivalry of suzerain king and vassal king
8. Rivalry of a king and a noble
9. Rivalry of a powerful person and an upstart
10. Rivalry of rich and poor
11. Rivalry of an honored man and a suspected one
12. Rivalry of two who are almost equal
13. Rivalry of equals, one of whom has in the past been guilty of adultery
14. Rivalry of a man who is loved and one who has not the right to love
The key variants to match the story are 1,2,3,6,9 and 14 -
The story WolfMoon revolves mainly around the life of Kern who is human, but posseses a trait to turn into a werewolf whenever he wants.
Tuiloch(magician) is the Superior Rival, whereas Kern(human-werewolf) is the inferior Rival.
The clash between these two occur from the early stages of the book, right until the final stage.
"The feragh came first, agile and supple-limbed for all its bulk, soft-stepping a path through the underbrush so that not one autumnal leaf seemed disturbed."[Wolfmoon, 5]
- the feragh represents a powerful beast in while Tuiloch(the Superior Rival) unleashes on Kern(the Inferior Rival)
"There was magic afoot here, the wolf knew. Powerful magic against which he had no dfense. Heavy though the feragh's scent was, smothering the man, the wolf could smell the sorcery. It burned in the music. It burned in the harper's features. highlighting his thin straight nose, planed brow, and gaunt cheek. It burnedd, too, in the feragh's eyes." [WolfMoon, 4]
- proof that Tuiloch (superior rival) which is also noted as the harper is a very powerful sorceror. Not only does Kern(inferior rival) feel his powers, but so does the beast in which Tuiloch unleashes (feragh.
"He was no longer sure how long or how far the hunt had gone. The harping dulled his senses, weakened his limbs, and he could not find the strength to overcome it. He needed to strike out at his tormentor, to still the hateful music forever, but to reach the harper he must first face the feragh and in that acton lay only death. He was unwilling to throw away his life. First the harper must be made to pay. That need sustained him more than simple survival."[WolfMoon, 5]
“The feragh was hellishly close. Its reek clogged the wolf’s nostrils. The music fired his mind with scalding flames, numbing him.” [WolfMoon, 5]
- Tuiloch's powers affect Kern greatly, and there is nothing he can do to defend himself. Not only does kern need to have the strength to defeat the powerful sorceror, but he faces the beast in which Tuiloch unleashed. His fate is sealed when dealing with either of them as they are too much of a match.
These two rivals are on completely different spectrums. Tuiloch is a powerful Sorceror that has great influence with his magic and the ability to unleash a foul creature, whereas Kern is only a man with the ability to change into a strong Werewolf.
After the beginning, Kern barely escapes his fate. “Then he saw something red bobbing downstream, watched it strike a boulder before the current dragged it under once more.”
Description of Kern's wound: "His left shoulder was gashed as though some wild animal had clawed him and he was streaked with mud"
The two Rivals set apart from then, and only meet up about at the halfway mark.
"Listen, and I will tell you the tale of Tascar, the Wuhr-wulf. Now his eyes were for Kern alone. They impaled him with their strength of will, stripped the manflesh to bare the wolf inside. I know you, they said. I remember you. Echoes of that hateful music that called forth the feragh hung in the air. The hunt is not yet done, the harper's eyes appeared to say. Then he looked away and began the tale.[WolfMoon, 112]
"A last time he looked at Kern, his dark eyes promising terrors to come, and he smiled."[WolfMoon, 112]
- The lines prove that Tuiloch is an unmatched Rival. He pierces Kern with such powers to "strip the manflesh", only through determination could Kern stand toe-to-toe which such a Magician.
“Kern please, she said. Hear me out. I’ve come here on my own. Stram led me. I know what Tuiloch’s done to us, to you.”[205]
“he came in at a run, snow spraying underfoot. He saw the bulky shape of the feragh come quicksilvering toward him, trying to cut him off, but he had too great a lead. Choosing a window, he leaped at it, curling himself into a ball as he struck it. His thick shoulder hair prevented the glass from penetrating deep enough to pierce his skin. He could sense the feragh at the window.” [226]
“he fell back, nursing his hand, trying to concentrate on Tuiloch, on the harper’s next move. But that move never came. The blade thrust up from Tuiloch’s chest and his face was so contorted that it seemed a stranger’s.
- Through the end passages, Kern summons the strength to return to the inn by Fion, he is the only hope, and it will be through his sacrifice that lives would be spared if he can defeat Tuiloch. He has lost all sense of fear, and is willing to sacrifice his life for the survival of those that are taken hostage by Tuiloch. A man reborn, Kern becomes as he is unopposed by the feragh, and with the aid of Fion, defeats the Superior Rival. A match through determination and willingness to sacrifice himself proclaimed Kern the victor.
Thursday, November 19, 2009
Quick Look
Wolf Moon is not too challenging a read, Rob, so I should see some evidence of the explication and apologia by now. Toss what you have so far into a post just to exhibit your process.
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